9 incredible tracks you need in your life – June 2017

Happy Sunday altrocklifers! Unfortunately this series had to take a break in May, but now I’m back to bring you a round-up of the best singles released throughout this month.  Strap in – this month is a good one!

Foo Fighters – Run

Foo Fighters kicked off this month in an incredible fashion, with a brand new track and awesome video directed by the main man Dave Grohl himself.  This track is a return to the band’s heavier roots following their last album, Sonic Highways, which had a much more varied sound.

Wolf Alice – Yuk Foo

Wolf Alice are back! This grungy and frankly explosive track is their first release since their debut album, My Love Is Cool, was released in 2015.  It’s a massive song and I can’t wait to hear more!

PVRIS – What’s Wrong

The hype for PVRIS’s upcoming album All We Know Of Heaven, All We Need Of Hell just keeps building following the release of this brilliant latest single.

Hands Like Houses – Drift

Hands Like Houses recently moved from Rise Records over to Hopeless Records, and what better way for them to celebrate than release a new single?

The Devil Wears Prada – Worldwide

The Devil Wears Prada dropped the latest single from their last full length record, Transit Blues, and it sounds great.

Good Charlotte ft. Kellin Quinn – Keep Swingin’

Taken from their latest album Youth Authority, Good Charlotte released the video for this anthemic track which gives a solid middle finger to the band’s haters.

Trash Boat – Tring Quarry

If you want brand-spanking new British pop punk, then Trash Boat are the band for you.  Here’s their latest single, taken from their album Nothing I Write You Can Change What You’ve Been Through.

With Confidence – Archers

I’m a fan of With Confidence, having featured them in this series before, so I was pretty happy to see the video for this track hit my YouTube subscription box!

Make Them Suffer – Fireworks

Make Them Suffer are an Australian five-piece band, and if you’re a fan of altrocklife you’ll probably know that I’m a big fan of bands which combine male and female vocals.  Even during this track, the dreamy female backing vocals provided by Booka Nile contrast brilliantly with male vocalist Sean Harmanis, so from first listen Fireworks was a winner for me.


What do you think of these tracks?  Are there any awesome singles I missed?  Let me know on my Facebook or Twitter page, or in the comment section below this post.

Review: How Did We Get So Dark?

Today I’m extremely excited to review How Did We Get So Dark?, the second full length album by Brighton rock duo Royal Blood.  This band burst onto the scene in late 2014 with the release of their eponymous first album, and their latest record is its highly anticipated follow-up.  The band released its first single, Lights Out, back in April, and you can watch the brilliant music video here:

Now on to the record.  The album opens with the title track, a strong opener with undulating bass throughout the verses and grungy riffs adding depth to the chorus.  It features a great outro, with fantastic drum fills and staccato backing vocals repeating the album name over and over again, which adds a creepy vibe to the song.

Then follows the lead single, Lights Out, arguably one of Royal Blood’s best tracks yet, with a catchy chorus easy to sing – or shout – along to, and a fantastic bass solo.  Next is the album’s second single, I Only Lie When I Love You, a grungy track positively dripping with swagger and attitude.  The lyrics discuss relationships and break-ups, which are a consistent lyrical theme throughout the record.  But then, isn’t love and loss present regularly in everyone’s lives?  Vocalist Mike Kerr’s voice remains as strong as ever, switching between sounding soft and emotive and louder, on the verge of shouting, with ease.  Plus, the drumming throughout the record, provided by Ben Thatcher, is masterful.

Hook, Line & Sinker is this album’s Ten Tonne Skeleton: it’s hands down the best song on the record, with fantastic catchy lyrics and imaginative instrumentals unmatched by anything else the band have put out.  It was pretty difficult for me to list my highlights of this 10-song album, because the entire record is fantastic, but Hook, Line & Sinker is truly on another level.

To me, How Did We Get So Dark? is reminiscent of Biffy Clyro’s work: the drums layered with additional percussion and higher pitched backing vocals draw parallels to their Opposites and Ellipsis albums.  Plus, the bass towards the end of Lights Out has a distinct Black Chandelier vibe.

Recently Royal Blood explained to NME that they took inspiration from David Bowie to create this album, but to me it seems clear that their influences are many and varied.  This band have been compared to Queens Of The Stone Age and Muse amongst others, and their latest album sounds like they’re trying to live up to those massive comparisons.

Overall, this record is dark and moody, and a fantastic follow-up to their first album.  My only criticism is that, at 35 minutes long, there isn’t nearly enough of How Did We Get So Dark? to keep me occupied until Royal Blood release their next album.  This band are a fantastic example of home-grown UK talent, and I’ll be following their future success very closely.

Highlights: I Only Lie When I Love You, She’s Creeping, Look Like You Know, Hook, Line & Sinker

News: Tigress release music video for Headaches

Last month, Essex rock quintet Tigress released their new EP Like It Is via LAB Records – available on all good digital retailers.  I reported on the news back in March. Commenting on the release vocalist Katy Jackson explains:

“We really let our musicality run free on this EP, we stopped thinking about what people wanted to hear and just created music that we like. We are so excited for people to hear our new sound and we hope they like it as much as we do.”

To celebrate the release, the band have dropped a music video for the their latest single Headaches, which premiered last month with Daniel P Carter on BBC Radio 1’s Rock Show.  You can watch the video here:

Commenting on the music video, Jackson explained:

“We had a lot of fun shooting this music video some of us even had to learn to ride a bike again! The concept of the music video is based on the global mental health crisis that so many people are going through. The video and track focuses on the feeling of isolation – we wanted to convey the message ofhow anxiety can make someone feel.”

The band are currently preparing for festival season where they will be appearing at Fort Fest amongst others. Further show and festival information can be found on the band’s website.

Tigress have previously seen coverage from Clash, Alternative Press, Kerrang! Magazine, Rock Sound, Metro, BBC Radio 1, BBC Introducing, Scuzz TV,  as well as hundreds of regional stations and webzines.  I personally can’t get enough of female fronted rock bands, so I was always destined to enjoy Tigress, and I definitely recommend you get their latest EP in your life ASAP.


What do you think of the latest Tigress single and music video?  Let me know on my Facebook or Twitter page, or in the comment section below this post.

Review: Hear It Calls

Hi altrocklifers! Today I’ll be reviewing the latest EP by up-and-coming Texas band, The Naked Tungs.  The four piece band put out the five track EP, Hear It Calls, yesterday, following the release of their single Valium And Vodka earlier this month.  The band have a fun, garage rock sound, and I’m excited to introduce this band to my readers.

The Naked Tungs Hear It Calls EP cover

The EP begins with opening track Someone Else, setting things off with a catchy and upbeat guitar solo, which repeats throughout the song.  Female vocalist Sarah R. provides the vocals for this track, and whilst her voice might not be technically perfect, her attitude comes across really well.  The last 30 seconds or so of the track is made up of an awesome instrumental, notable for its interesting drum fills.  Lyrically the track talks about how people can change under the influence of drugs, and this theme of partying, drugs and alcohol carries on throughout the rest of the EP.

Next up is the EP’s title track, Hear It Calls, this time sung by male vocalist Hersh C.  The higher pitched guitars and more focus on cymbals, as well as the slight echoing effect on Hersh’s voice, gives the song a more indie feel compared to others on the EP.  This is a really fun track which adds to the party vibe mentioned in the lyrics running throughout.

My favourite track on Hear It Calls is definitely Valium And Vodka, and I can understand exactly why the band decided to release it as a single.  The track is a great summation of The Naked Tungs’ sound as a whole: Sarah’s vocals are at their strongest here, and the instrumentals feature a strong bass line, interesting plucked guitar features, and inventive drumming.

The EP’s penumtilate track is All Of This, possibly the most grungy track on the EP, which suits its low-fi production perfectly.  Hear It Calls is then rounded off by Its Alright, the longest track on the EP at over six minutes long, which really lets the band stretch their creative muscles and just jam.

You can listen to Hear It Calls on the band’s Bandcamp page, or alternatively stream it on Spotify – just pop The Naked Tungs into your search bar.  If you’re a fan of Band Of Skulls of Wolf Alice, I reckon The Naked Tungs are a band you definitely need to get into.

Review: After Laughter

Paramore are currently a three piece band from Tennessee, having shifted genres and reshuffled line-ups many times since their formation in 2004.  Friday marked the release of their fifth full length studio album, After Laughter.  Their current reincarnation is that of a cutesy pop-rock three piece with 80s vibes, demonstrated by the album’s lead single, Hard Times.  You can see the video here:

Hard Times is the opening track for the record, and it definitely sets the tone for what is to come.  Gone are the days of Paramore’s emo classics like crushcrushcrush, or their more acoustic, stripped back numbers such as Misguided Ghosts.  This track is chock full of fun pop elements, such as gang vocals, fun synths and the wacky “and I gotta get to rock bottom” garnishing each chorus.

Williams’ songwriting has continued to grow over the years, and at some points is in direct contrast to the light-hearted pop sounding instrumentals.  Williams seems content to lay out her feelings of anxiety, frustration and pessimism with more nuance and grace than ever before.  Whilst the instrumentals on After Laughter often sound sweet, the actual lyrical content sometimes leaves a sour aftertaste, and I really appreciate the band’s complexity.  One of the best examples of this is Fake Happy, with its cheerful sounding veneer and “ba-da ba-da ba ba” backing vocals sugar coating feelings of sadness and the pressure to maintain appearances.  Another is the incredible Idle Worship, where Williams purposely distorts the sound of her voice to illustrate her confusion and frustration with being put on a pedestal.

This album has also allowed Williams to change things up with her vocals.  Williams has an incredible vocal talent, and previous albums really stretched to demonstrate that – think back to All I Wanted from Brand New Eyes, for one example.  Nowadays she no longer has to prove her vocal prowess, and to me it sounds like Williams has taken a small step back.  She’s the front woman of Paramore, that’s not up for discussion, but After Laughter seems to focus a little more on their musical experimentation than vocals.  To me this is best demonstrated in tracks such as Rose-Colored Boy and the slower paced Forgiveness.

The sound of After Laughter reminds me a lot of Walk The Moon’s second record, Talking Is Hard, in terms of its vaguely 80s vibe and fun, summery upbeat themes running throughout.  This is absolutely a compliment, as both albums confidently combine pop elements with more mature and complex songwriting.  I’m looking forward to getting hold of a hard copy of After Laughter so I can put it in my car and listen whilst driving down the motorway, windows down: this is the perfect record for those long drives.

Some Paramore fans seemed to express surprise and the band’s new pop sound, but in my mind, After Laughter was the next logical step for the band.  Brand New Eyes took the band further away from their emo origins with a number of more chilled, acoustic tracks, and their self titled fourth record was the album that garnered them the most commercial and critical success.  As the band have grown older and wiser, it’s obvious to me that they would shed their angsty teen attitude to songwriting and cultivate a more mature sound.  The songwriting in After Laughter is miles away from the petty and venomous “once a whore you’re nothing more, I’m sorry that’ll never change” from Misery Business.

Overall, I honestly think After Laughter is a strong competitor for one of the best pop records 2017.  Fans of Paramore’s self titled album will definitely enjoy their latest LP, and although fans of their first two records may feel that the band have lost their way, I for one think that they’ve found it.  Williams, Farro and York seem to be creating the music they really want to make, and if that’s the case, then I am 100 per cent behind it.

 Highlights: Hard Times, Fake Happy, Grudges, Idle Worship

News: letlive. call it quits, PVRIS tease new album, and Fall Out Boy release controversial track

Hi altrocklifers! This week has been a pretty busy one in terms of alternative and rock music news, so today I thought I’d round everything important up into one handy package for your reading pleasure.

letlive. call it quits after fifteen years

I can’t tell you how sad I was when I read the letlive. Facebook post on Friday, explaining that there would be “no further activity for the foreseeable future”.  The band have been going since 2002, and released four full length records and one EP during that time.  I was lucky enough to see letlive. perform at Leeds Festival in 2014, but unfortunately at the time I had never listened to their music, so I couldn’t really appreciate their awesome performance.

I only really got into letlive. last year, with the release of their most recent album If I’m The Devil…, which I consider one of the best albums released in 2016.  I’ll forever be disappointed that I was unable to see the band perform tracks from If I’m The Devil… live, but the band haven’t explicitly said that the band are gone for good, so maybe, just maybe, they’ll be back some day?  Wishful thinking I know.

PVRIS release a video teasing the release of their next album

Recently PVRIS announced a short run of shows, which led fans to believe that a new album, follow-up to 2014’s White Noise, would be on its way soon.  On Friday the band dropped a teaser video via the Rise Records YouTube channel.  Is the title of the video, All We Know Of Heaven, All We Need Of Hell, the name of their second full length record?  Maybe the first single to be released from the album?  Who knows.  The band are being very coy on social media and in interviews, so I’m looking forward to finding out.

Fall Out Boy release controversial new track

Fall Out Boy have never been a band that meets expectations, and they threw fan expectations out of the window on Thursday when they announced the release of their next album, MANIA.  The announcement, which included the release date of September 15th and discounted pre-order bundles, was accompanied by the album’s first single, Young And Menace.  The verses remind me a little of their most recent record, American Beauty/American Psycho, but the super EDM chorus is unlike anything Fall Out Boy have ever done before, so nobody really knows what the entire album will sound like.  Me? I haven’t decided if I like this latest track, I’m 100% on the fence.  However, my love of Fall Out Boy means I’ll be waiting impatiently for the next single.  Here’s the YouTube video for the track.


What do you think of the new Fall Out Boy track? How do you feel about letlive. calling it quits?  Let me know on my Facebook or Twitter page, or in the comment section below this post.

9 incredible tracks you need in your life – April 2017

Hi altrocklifers, and welcome to my first update on a Wednesday, thanks to my new schedule.  Now you’ll have even less time to wait in between updates: lucky you!  It’s nearly the end of the month, so you all know what that means – today I’ll be looking back through April and sharing the best new tracks released this month.

Tonight Alive – World Away

Tonight Alive’s previous record, Limitless, had a more pop-rock feel to their first two albums.  To me it sounds like World Away is a return to the band’s more punk-pop/alternative rock roots, and that’s definitely no bad thing.

Paramore – Hard Times

This track is probably the most pop-inspired track ever put out by Paramore, and the electronic influences and music video have a serious 80s vibe.  This is a very upbeat and summery track, and whilst some Paramore fans are against the new sound, I really like it!  I’m excited to hear the rest of their upcoming record, After Laughter.

Obey The Brave – On Our Own

Sometimes you just really need some new metalcore tracks in your life, and Obey The Brave’s latest offering really scratched that itch.

Royal Blood – Lights Out

For the past year or so, I’ve been wondering when Brighton duo Royal Blood would return with new music for their eager fans.  Thankfully the band returned earlier this month with the first single from their upcoming second album, How Did We Get So Dark?, and it’s a real banger.

Have Mercy – Good Christian Man

I reviewed Have Mercy’s latest record, Make The Best Of It, on Sunday, and this track was one of my highlights from the album.  You can read the full review here.

New Found Glory – Party On Apocalypse 

New Found Glory are one of those bands who have stuck to the same sound for years, and their consistency makes them one of the best pop-punk bands around.

Of Mice & Men – Unbreakable

Unbreakable is the first track released by Of Mice & Men since previous lead vocalist Austin Carlile had to leave the band due to ongoing health issues.  When it was announced that the band would be continuing as a four piece, fans were concerned as to whether vocalist and bass player Aaron Pauley would step up and sing both clean and harsh vocals on their new tracks.  This track answers that question with a definite yes: Pauley is more than capable of filling Carlile’s shoes, and I can’t wait to hear more from the group.

Papa Roach – American Dreams

This latest track from Papa Roach sounds like the band are harking back to their earlier days, especially throughout the verses.  I can always appreciate a band who takes elements of their old sound and bring them up to date, so I can’t wait to hear their upcoming record, Crooked Teeth.

Blondie – Long Time

My Mum is a massive fan of Blondie, so I’ve been listening to the classic voice of Debbie Harry since I was a kid.  Long Time proves that the band have still got what it takes to put out great sounding tracks.


What do you think of these tracks?  Are there any awesome singles I missed?  Let me know on my Facebook or Twitter page, or in the comment section below this post.

News: Everywhere release first new track of 2017, Man Up

UK band Everywhere have announced their first 2017 release in the form of new single Man Up, currently available to stream on Soundcloud. It’s due to be available to purchase and available on Spotify on June 9th.

The track features a funky bassline underpinning its pop-rock sound, and includes a feature by Swedish singer/songwriter Rebecca Nohr.  You can also listen to the track on YouTube, here:

Looking past the catchy chorus, the lyrics discuss struggling with meeting the expectations set by traditional masculinity, and how to manage being with a dominant partner.

Everywhere have also said that they are working on an album, and although it’s early days “it should be out this fall”.

At the end of last year, Everywhere released their EP Fiction Act. The EP single Some Other Dude was featured on BBC Introducing in London and has received over a million streams on Spotify.  I gave Fiction Act a review when I focused in on the band during my New Music Spotlight: you can give that a read here.


What did you think of Man Up?  Let me know on my Facebook or Twitter page, or in the comment section below this post.

7 incredible tracks you need in your life – March 2017

It’s that time of the month again! Today I’ll be going over the best tracks released throughout the past 30 days.

London Grammar – Truth Is A Beautiful Thing

I think most people with ears would agree that London Grammar are a band with a beautiful, atmospheric sound.  I absolutely cannot wait to hear more from this group.

PWR BTTM – Answer My Text

Ah, a track about navigating the modern age of dating and the woes of waiting for someone you fancy to text you back.  Why is this track so relatable?  This is a single from PWR BTTM’s upcoming second record, Pageant, due for release in May.

All Time Low – Last Young Renegade

This is the second single to be released from All Time Low’s upcoming record of the same name, and to me this song is stronger than its predecessor, Dirty Laundry.  I’m looking forward to hearing more from the album.

Palisades – Let Down

Palisades is one of the younger bands currently signed to Rise Records, and their electronic/hardcore sound means I reckon they’ll continue to find greater success.  Let Down is the latest single from their self titled record, released last year.

Have Mercy – Coexist

Have Mercy are one of those bands that I’ve followed on and off for the past few years.  The build up to their upcoming album, Make The Best Of It, is making me realise this is a band to pay closer attention to and take more seriously.

Black Stone Cherry – Cheaper To Drink Alone

This track is a pretty fun party song, and I can easily imagine it playing in the background of a rock bar, or at a house party.  However, the guest appearance by Lzzy Hale from Halestorm in the video was enough to sell this track to me.

Incubus – Glitterbomb

You can’t beat a bit of Incubus, and this latest track just proves that the band are still alive and kicking.


What do you think of these tracks?  Are there any awesome singles I missed?  Let me know on my Facebook or Twitter page, or in the comment section below this post.

Review: The Haze

Pulled Apart By Horses are an indie/alternative rock four-piece from Leeds.  Formed in 2008, the band have put out three full length albums over the years.  On Friday, the band released their fourth record, The Haze.  Hype for this record started building in November with the release of the lead single, The Big What If.  You can watch the video for the track here:

The record opens with its title trackmade up of grungy riffs and raw shouty vocals which demonstrates the band’s gritty rock ‘n’ roll sound perfectly.  The Big What If follows, and its fun tongue-in-cheek lyrics such as “I pray to my own toilet bowl that I won’t be swallowed whole” demonstrate that Pulled  Apart By Horses aren’t the type to take themselves too seriously.

One of the running themes of the record is the band’s up tempo, high intensity style which makes The Haze’s listening experience endlessly exciting.  You never quite know whether an awesome drum fill, wailing guitar riff or snarled vocal hook is coming next, and that’s what makes the album so interesting.  There are also plenty of catchy shout-along choruses to be found as well, demonstrated perfectly by Flash Lads and My Evil Twin.

There are a couple of slower tracks to be found on The Haze as well, such as the meandering Lamping which is full of la-la-las and starts out with a cool, trippy intro of birdsong and synths.  It’s the longest song on the record clocking in at just under four and a half minutes long, but I reckon the track needed that amount of breathing room, and the rest of the album is punchy enough that Lamping is a welcome change of pace.

Back in 2015 Pulled Apart By Horses’ original drummer, Lee Vincent, left the band and was replaced with Tommy Davidson, and I honestly feel like the new drums have injected a new lease of life into the band.  From an outsider’s perspective it seems to me that the line-up change forced the band to approach writing for The Haze in a new, fresh way.  Frontman Tom Hudson explained in interviews that the band recorded the album back on an isolated farm in Wales, and it seems like this helped them to focus solely on creating a kick ass record.

Highlights: The Big What If, Neighbourhood Witch, Lamping, My Evil Twin